TapeDeck Post is a boutique, remote-based sound and picture finishing house. We offer a fully integrated post-production experience for your commercial project, short, or feature film. As a collective of filmmakers in our own right, we know how hectic and stressful it can be trying to juggle a variety of post-production needs, both technical and creative - from editing, to title design, to motion graphics, to your sound mix and color correct. In a typical process, producers have to coordinate between a variety of post-houses and freelancers, which can create inefficiencies and creative difficulties.
TapeDeck Post solves these problems by offering a streamlined, one-stop shop for post-production. As experienced directors, editors, composers, and graphic designers, we are able to tackle all the creative and technical challenges that your project presents.
We offer all of our services individually and would be thrilled to work with you on your specific needs. But we are able to offer the greatest value with our bundled services. For features and documentaries, this would mean we handle everything after the offline edit. For short form commercials, we can handle the editing as well.
In the sound department, we offer custom music composition and production as well as music consulting and creative direction if needed along with sound design and mixing in stereo and 5.1 formats for web, broadcast, and cinema.
DANIEL CLARIDGE
is a filmmaker whose work includes both documentary and fiction film. His most recent feature documentary, They're Here, will premiere at the 2024 Tribeca Film Festival. As an editor, cinematographer and motion graphics artist, Daniel has worked on films that have played all over the world, including at Sundance, Tribeca, TIFF and the New York Film Festival.
ANDREW COFFMAN
is a filmmaker and editor. His editing credits include the HBO documentaries I Love You, Now Die (2019), Mommy Dead and Dearest (2017), and Thought Crimes: The Case of the Cannibal Cop (2015), as well as feature documentaries such as The Gospel According to André (2018), The First Monday in May (2016) and Ivory Tower (2014). His work has been distributed by outlets such as HBO, CNN and Magnolia Pictures, and has played at film festivals including Sundance, TIFF, Hot Docs and TriBeCa.
MICHAEL COFFMAN
is a music composer, sound designer, and mixer for TV commercials, short films, and features with over 15 years of professional experience.